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In romance, the spark starts with the very first sentence.
Before your characters lock eyes, share secrets, or fall hopelessly in love, there’s one crucial connection that has to happen first between your story and your reader. And that connection begins with your opening line.
A strong first line doesn’t just launch your story, it makes a promise. It tells the reader what kind of emotional journey lies ahead. Is this a swoony small-town slow burn? A sexy enemies-to-lovers romp? A dark, forbidden love tangled in secrets?
In a genre where emotional resonance is everything, that very first impression can mean the difference between a reader diving in or setting the book down. That’s a lot of heavy lifting for a sentence. In fact, it might seem so daunting that you struggle to start your book. But don’t let getting stuck on a first line keep you from writing the second line, or the third…etc. Often, the best first lines are written last. That said, here are tips and a guide to help you craft a winning first line.
Why the First Line Matters in Romance
In a world overflowing with book choices, readers don’t linger. They skim. They scroll. They “Look Inside.” That first line becomes a test whether the book feels worth their time, money, and heart.
Your opening sentence is more than a starting point. It sets the tone, signals the genre, and plants the seed of emotional promise. Is this going to make me laugh? Cry? Swoon? That first line is your reader’s first taste of the experience to come.
Here’s where your first line pulls its weight:
- Book Previews: Whether on Amazon (“Look Inside”), Apple, or in a bookstore, readers often read the first sentence before deciding to continue.
- Page-Turn Tests: Readers may get a free episode or chapter. Your first line has to earn the next swipe.
Think of your first line as the first flutter of attraction. Make it count.
What a Great First Line Should Do
Not all first lines are created equal. The most effective ones share a few things in common. Whether bold, witty, mysterious, or emotional, a strong opening line serves as an invitation into your story world.
Here are five goals your first line should aim to accomplish. Hit one or two, and you’re off to a powerful start:
1. Spark Curiosity
Make the reader ask a question. Why is she running? Who left the ring? What secret is being kept? Curiosity is a page-turner’s best friend.
“I didn’t mean to steal the groom.”
Suddenly we have to know more.
2. Evoke Emotion
Romance is all about the feels. If your line can stir a laugh, a gasp, or a pang of longing, you’ve already formed a connection.
“He kissed me like he was trying to forget me.”
Instant ache. Instant intrigue.
3. Establish Voice
Your character’s personality should shine through in that first sentence.
“My mother always said love was for fools and poets—so of course I fell for a saxophone player.”
4. Set the Mood
Is your romance light and flirty? Dark and dangerous? Dreamy and magical? Your first line should cue the emotional tone and genre vibe right away.
“The fog rolled in with the kind of secrets that never stayed buried.”
Clearly not a romcom.
5. Anchor the Reader
Drop the reader into a moment, whether it’s a physical setting, a turning point, or a strong emotional state. We don’t need a full setup, but a concrete image or situation helps us get oriented fast.
“I was halfway down the aisle when I realized I didn’t know the groom’s name.”
Your line doesn’t have to do all of these things. But if it does one or two with flair, you’ll hook the reader’s attention and set the emotional tone for everything to come.
Types of First Lines That Work in Romance
There’s no one right way to start a romance novel, but some opening styles consistently grab readers’ attention. Below are several types of first lines that work well in romance, with examples to inspire your own:
1. The Bold Statement
Make a claim that demands attention and hints at drama or chaos to come.
“I never meant to marry him, but when in Vegas…”
2. The Intriguing Question
Pose a question that begs for an answer. It hooks readers instantly.
“Who leaves a wedding ring on a stranger’s nightstand?”
3. The Voicey Confession
Start with a personal, emotionally charged truth from your protagonist.
“I fall in love far too easily. And far too often.”
4. The Touch of Humor
If your book leans toward romcom or light-hearted romance, a quirky or snarky line sets the tone and charms readers right away.
“If my dating life were a cocktail, it’d be flat prosecco with a twist of disappointment.”
5. The Moment of Trouble
Drop the reader into a high-stakes or awkward moment where something has already gone wrong.
“The groom is missing—and so is my dignity.”
6. The Sensory or Setting Hook
Use vivid language to pull the reader into your world and hint at tone or genre.
“The Louisiana heat clung to me like regret.”
You can even combine styles, pairing a sensory hook with a character confession, or a bold statement with humor to create more impact.
Common First Line Mistakes to Avoid
While there’s no single “right” way to start a romance novel, there are definitely ways to lose a reader before they even hit line two. These common pitfalls can make your story feel flat, confusing, or just not compelling enough to keep going.
1. The Generic Opener
“It was a normal day.”
This tells us nothing. No character, no voice, no stakes. Readers are looking for tension or intrigue, not weather reports (It was a dark and stormy night…lol) or vague setups.
To Fix: Add character, tension, or irony.
“By noon, I’d already spilled coffee on my boss, lied to my mother, and agreed to a date with a man I didn’t recognize from Tinder.”
This line grounds us in the character’s chaos with humor and voice, definitely not a normal day.
2. The Info Dump
“Mary, a 32-year-old accountant from Tulsa with a love of cats and a fear of commitment, stepped into the bakery.”
Too much, too soon. Readers don’t need a full dossier, they need a reason to care.
To Fix: Focus on character experience, not résumé.
“The last time Mary walked into the bakery, she left with a croissant and a fiancé.”
This version delivers intrigue, setting, and backstory through implication and voice.
3. Starting Too Early
“She woke up to the sound of her alarm clock.”
Unless something very unusual happens next, skip the routine. Begin at the moment something changes or disrupts the character’s world.
To Fix: Start where something changes.
“The alarm didn’t wake her, but the sound of her ex’s voice in her kitchen did.”
We’re straight into conflict and tension. Now readers want to know what’s going on.
4. Disembodied Voice or Vibe
“The sun rose over the sleepy town.”
Okay, but where’s the character? Where’s the tension? Ground us in someone’s perspective or emotion to avoid a detached or impersonal feel.
To Fix: Filter setting through the character’s emotion or perspective.
“The sunrise looked innocent enough, but Jade knew better—today the town would burn.”
Now the setting is establishing tone and revealing character insight.
5. Tone Mismatch
Opening with a joke when the book turns dark or a grim line for a romcom can confuse or repel readers. Your first line should signal what kind of emotional journey they’re signing up for.
Bad for Romcom:
“Blood soaked the altar as the prophecy unfolded.”
(Unless it’s a very specific kind of paranormal romcom.)
Romcom Fix:
“The only thing more cursed than my love life was the airport baggage carousel.”
Bad for Dark Romance:
“It was a lovely spring morning in Lavender Bay.”
Dark Romance Fix:
“She never noticed the man in black until he whispered her real name.”
Tone consistency signals to the reader that they’re in the right place.
6. Clichés Without a Twist
“She never believed in love… until him.”
Familiar setups can work, but they need a fresh angle or voice to feel new. Otherwise, it sounds like a placeholder.
To Fix: Keep the core idea, but make it specific, voicey, or ironic.
“She didn’t believe in love at first sight, but she did believe in abs, and his were impressive enough to make her reconsider.”
These versions keep the familiar idea but add personality, specificity, or humor to feel fresh.
Your goal is to be engaging. The biggest mistake you can make is writing a first line that doesn’t invite your reader to feel something.
How to Brainstorm and Test First Lines
Writing a perfect first line rarely happens on the first try. That’s okay. It’s not about getting it right immediately. It’s about experimenting, refining, and landing on a sentence that captures your story’s spirit.
Here are six practical steps to help you brainstorm and test your romance novel’s opening line:
1. Write Multiple Versions
Don’t stop at the first idea. Try five completely different first lines using various tactics: a bold statement, a voicey confession, a question, a sensory hook. Often, the magic happens in draft #3 or #4.
2. Revisit After Writing Chapter One
Your story evolves as you write. Once you’ve nailed down your characters’ voices and the story’s tone, revisit your first line. It might need to shift to match the mood more accurately.
3. Read It Aloud
This helps you catch rhythm, awkward phrasing, and emotional impact. Does it sound like your protagonist? Does it land with the feeling you want your reader to feel?
4. Get Feedback
Share a few options with critique partners, writing friends, or trusted beta readers. Ask them:
- Which line made you want to read more?
- Which one best matches the genre/tone?
- Which one felt emotionally strongest?
5. Test Against Your Story Promise
Does the first line set up the emotional arc or mood your book delivers? A funny opener sets expectations for comedy. A sensual one signals heat. A tense one primes readers for drama.
If your opener doesn’t reflect your story’s tone, you risk attracting the wrong readers, or disappointing the right ones.
6. Save the Runners-Up
Sometimes, a discarded first line makes a killer chapter title, tagline, or back cover hook. Keep them! They’re creative gold, even if they’re not the one.
Real Examples from Bestselling Romance Novels
Sometimes the best way to understand what works is to see it in action. Below are real first lines from bestselling romance novels each with a quick breakdown of why it hooks the reader and sets the stage for a compelling love story.
“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” —Pride and Prejudice by Jane Austen (Classic literature romance)
Why it works: Timeless. Witty. Bold. This line sets tone, genre, and societal commentary all in one sentence and still works 200 years later.
“I’ve come in contact with a lot of liars, but none quite so big as Google.” —Swift and Saddled by Lyla Sage (Rom com)
Why it works: Voice, humor, and relatability. It’s witty, unexpected, and instantly sets the tone for a romcom.
“The Devil had a wicked mouth and a voice as smooth as bourbon.” —Phantasma by Kaylie Smith (Dark Fantasy Romance)
Why it works: Sensual, ominous, and atmospheric. It blends danger with allure. The line instantly sets a dark, seductive tone and hints at a powerful romantic and supernatural force at the heart of the story.
“A marriage-minded girl could overcome practically any obstacle, except the lack of a dowery.” —Secrets of a Summer Night by Lisa Kleypas (Historical romance)
Why it works: Witty, grounded, and era-specific. It sets up stakes, character motivation, and historical context in one line. The tone promises charm, societal tension, and a heroine ready to defy her circumstances.
“Cadee Moore had never run from a fight, and running today might well cost her life.” —Burning Rivals by Voni Harris, Susan May Warren and Lisa Phillips (Clean romantic suspense)
Why it works: Strong, urgent, and high-stakes. It introduces a bold heroine, immediate danger, and emotional tension. The line promises action, resilience, and a story where love and survival are intertwined.
What They All Have in Common:
- Emotion or intrigue in the very first sentence
- Tone that matches the story’s genre and mood
- A clear voice that pulls readers into a specific world
- A question or contradiction that invites curiosity
Whether you’re writing romantic comedy, historical, suspense, or paranormal romance, a first line like these tells the reader: You’re in for something good.
Want help crafting your own first line?
Step 1: Choose a Hook Style
Check one or more that match your book’s tone:
- Bold Statement
- Intriguing Question
- Character Confession
- Comedic Line
- Moment of Trouble
- Mood/Atmosphere Hook
- Other:
Step 2: What Should Your First Line Do?
- Spark curiosity
- Evoke emotion
- Set genre mood
- Show voice
- Ground the reader
Pick 2–3 goals to focus on for your line.
Step 3: Write 5 Opening Line Drafts
Step 4: Read Them Aloud
Mark which one sounds strongest aloud.
Step 5: Get Feedback
Share your favorites with a critique partner or writing group. What line would make them keep reading?
Step 6: Final Pick
Write your favorite opening line.
You Only Get One First Line, But You Don’t Have to Get It Right the First Time
Writing the perfect opening line can feel like a lot of pressure, but it doesn’t have to be. Rewriting is part of the process. Voice evolves. Characters sharpen. Sometimes the best first line is the one you write after you finish the chapter or the book.
So don’t aim for perfection. Aim for a line that fits your story’s tone, emotion, and promise. Something that makes your reader feel something and want more.
When in doubt, lean on three guiding lights:
- Voice – Let your character’s personality shine.
- Emotion – Start with a feeling that hints at the romance to come.
- Conflict or Curiosity – Give the reader a reason to keep turning the page.
Now it’s your turn! Drop your favorite first line (or a few drafts!) in the comments below.



